Give in to temptation if the books look good to you!GABE! wrote:I'm very tempted to go head and order the 50% off deal for the Marvel NOW titles.
Marvel needs to juice up their sales #s and if it's something you think you'll like it's a good deal.
Moderator: JohnMayo
Are you and John not going to order all the #1's and review them like you did for the DC 52 reboot?BobBretall wrote:Give in to temptation if the books look good to you!GABE! wrote:I'm very tempted to go head and order the 50% off deal for the Marvel NOW titles.
Marvel needs to juice up their sales #s and if it's something you think you'll like it's a good deal.
I wasn't planning to, but it's certainly something I'll discuss with John. The difference from the New52 is that DC got me excited about the re-launch. Marvel has failed to do that for Marvel NOW.GABE! wrote: Are you and John not going to order all the #1's and review them like you did for the DC 52 reboot?
I think chances are 100% of John getting all the new Marvel stuff.GABE! wrote: I'm pretty sure John will order all the new #1's, but I was hoping to hear a run down of all the titles.
Yes, I'm ordering all of the new #1s so far. For that matter, I'm still getting virtually all of the Marvel Universe titles.GABE! wrote:Are you and John not going to order all the #1's and review them like you did for the DC 52 reboot?BobBretall wrote:Give in to temptation if the books look good to you!GABE! wrote:I'm very tempted to go head and order the 50% off deal for the Marvel NOW titles.
Marvel needs to juice up their sales #s and if it's something you think you'll like it's a good deal.
I'm pretty sure John will order all the new #1's, but I was hoping to hear a run down of all the titles.
Every time I skip a .1 issue that seems like a really lame fill-in, I get a twinge of not having a "complete set". But the concept of a "complete set" has pretty much gone in the dumpster anyway with all the re-numberings.Pictor wrote: A big part of what I love about comics is their collectibility.
Marvel has been really wreaking havoc on the collector side of me with every .1 issue and renumbering.
It didn't quite do it for me. There were too many titles in the bundle that I was completely uninterested in to make the 10% extra discount seem worthwhile.Pictor wrote: The DCBS bundle got me over the hump of justifying the double shipped 3.99 price point just to sample a new offering
This is an interesting thought, one that hadn't occurred to me.Pictor wrote: the '001' numbering on the covers has left me expecting a cooling on the renumbering side of things. I know that it's just a subtle marketing hint, and there's no commitment to back it up, but I've read that numbering to mean "We're going to try to keep this thing going for at least a hundred issues". It's not explicitly stated, and I realize they just love playing with numbers at every opportunity to get a bump, but that's the promise (actually made or not) that I'm going to hold them to. 100 issues.
Yeah. And in cases where I get all of them regardless of whether they're really just a poor one-shot masquerading as something in-continuity... I still have the collectibility headache of never being sure whether I got them all for certain. For instance, the Deadpool 39.1 issue was listed as 39 on the DCBS spreadsheet due to a typo, and I missed it until I just so happened to go back over my collection. It's got me all paranoid about every .1 lacking gap between issues now, never knowing if there's supposed to be something there or not. Can't imagine how big of a pain in the butt it will be in a few years for someone going through a back issue bin trying to fill holes in their collection.BobBretall wrote: Every time I skip a .1 issue that seems like a really lame fill-in, I get a twinge of not having a "complete set". But the concept of a "complete set" has pretty much gone in the dumpster anyway with all the re-numberings.
Well, however naive it may be, I'm going to cling to those two zeros as long as I can. Hopefully, they'll at least give it a shot. And like I said, I'm going to give them ONE last chance. I wouldn't even mind if some of them don't make it that high, as long as it's because they get cancelled, and not renumbered. I understand that some titles can come to a point in terms of sales of being financially unsustainable, but if that comes to pass, I really hope they can let it die, cool off for a bit, and then start a new volume rather than the month-after renumbers. Maybe one of us needs to nudge Marvel's new overlords, and get them to apply the 'Disney vault' approach to these titles rather than watch them erode from over exploitation.BobBretall wrote: I'd be completely shocked if any new Marvel NOW made it to 50.
For instance, they are re-numbering Amazing Spider-Man after #700 to #1. I'd be flabbergasted if they didn't go back to the original numbering to take advantage of issue #750.
I don't know what would need to change, but I can't see any title from Marvel/DC making it to #100 without some kind of numbering shenanigans.
Yes, of course, but it is obvious that there are a lot more people that do care that it is a new #1, as sales showBobBretall wrote: The thing is, for people who don't care if it's a new #1, they also would not care if it was just the next number in sequence, right?
I don't buy into that. I know the internet is full of groaners that hate the renumbering and post on boards that they have since dropped titles due to that, but sales also show that the "internet poster" is not a majority of sales in the first place. If it was, AvX would have only sold about 10 copies.BobBretall wrote: ... They get a short term boost, but the numbers show that over time renumbering appears to be hurting overall sales.
I had previously referred to MarvelNOW as a game of Musical Chairs, Marvel embraces that concept:Tom Brevoort, senior vice president for publishing at Marvel, said the new "NOW!" series aren't about relaunching characters with new origins or back stories but about shaking up the characters with new writers and artists.
"Think of it as a game of musical chairs, wherein the best creators in comics all move to a new 'seat' in the form of a new title and character,"